2026_10_Blackmagic_Leader

Anzeige

IP-Special: EVS, James Stellpflug

James Stellpflug ist VP Product Marketing bei EVS, einem Unternehmen das für seine Server, Slomo-Systeme und die Second-Screen-Lösung C-Cast bekannt ist. Im folgenden finden Sie die vollständige Version seiner Antworten auf die Fragen von film-tv-video.de — in englischer Sprache.

IP for broadcast was amongst the hot topics at NAB and IBC. What is your opinion concerning this topic?

From EVS’ point-of-view, IP has been a core component of production workflows for many years, both as an enabler for file-based operations and for enabling team members to better collaborate and access media throughout the broadcast plant. The next step for IP is to now migrate the live linear flows from an SDI realm to IP-based flows. This will enable the broadcast industry to better leverage the benefits of the convergence between the IT industry and the future of broadcast infrastructure.

Currently the industry discusses several standards and methods in IP based production and transmission, SMPTE 2022 and AVB being amongst them. Which standard does your company support — and why?

While there are many emerging standards today — they’re only valid if widely adopted. At EVS we’re embracing SMPTE 2022 in upcoming product evolutions but are encouraging all industry vendors to ensure compliance and adoption of open standards. If we don’t allow customers to choose the best-of-breed solutions to ensure an open interoperable ecosystem, then we’re not doing the industry justice.

Which areas of the broadcast industry will be the first to adopt and implement IP based technology?

IP-based technology is nothing new – it’s already at the heart of many broadcast facilities. It currently allows all the file movement operations today and will continue to further expand the flexibility around these operations.

Then it will move beyond the production center walls, enabling contribution of content to/from remote sites as well as the distribution of content to consumers and broadcast partners.

The next area that we’ll see IP become more prevalent will be in the core. This will encompass the linear flows of incoming content from cameras and transmission feeds including video/audio/data that need to be used at many destinations like video switchers, monitors, recording devices etc. IP becomes a logical enabler, which makes the constraints of a traditional SDI facility and bespoke video router and patching things of the past.

What’s your companies IP based flagship project or product?

At EVS we’ve adopted IP as a core enabler in both the design of new production equipment and in hybrid approaches to protect our customers’ existing investments. Through our next-generation video switching solution – Dyvi – we’ve used the best IT and IP technology to build a new distributed architecture which enables new ways to implement a creative video production switcher. We’ll also be bringing some new future-ready solutions to market that bridge the IP infrastructure changes being considered with SMPTE 2022 standards of today, while allowing flexibility to evolve with the changing standards of tomorrow.

Empfehlungen der Redaktion:

02.07.2015 – IP-Special: Aspera, Francois Quereuil
02.07.2015 – IP-Special: Axon, Jan Eveleens
02.07.2015 – IP-Special: Broadcast Solutions, Rainer Kampe
02.07.2015 – IP-Special: Cisco, Thomas Kernen
02.07.2015 – IP-Special: Dimetis, Joachim Kniesel
02.07.2015 – IP-Special: Grass Valley, Mark Hilton
02.07.2015 – IP-Special: Harmonic, Ian Trow
02.07.2015 – IP-Special: Imagine, Jochen Kuhnen
02.07.2015 – IP-Special: LSB, Axel Kern
02.07.2015 – IP-Special: Lawo, Andreas Hilmer
02.07.2015 – IP-Special: Matrox, Dan Maloney
02.07.2015 – IP-Special: Nobeo, Stefan Hoff
02.07.2015 – IP-Special: Quantel/Snell, Tim Felstead
02.07.2015 – IP-Special: Riedel, Ramon Pankert
02.07.2015 – IP-Special: SonoVTS, Stefan Krömer
02.07.2015 – IP-Special: Sony, Norbert Paquet
02.07.2015 – IP-Special: TPC, Andreas Lattmann
02.07.2015 – IP-Special: TV Skyline, Wolfgang Reeh
02.07.2015 – IP-Special: Teracue-Eyevis, Karl-Heinz Wenisch
01.05.2015 – NAB2015: EVS zeigt Dyvi-Mischerkonzept
24.04.2015 – NAB2015: EVS XT3-Neuheiten
22.04.2015 – NAB2015: EVS C-Cast und Partner-Integrationen
17.04.2015 – NAB2015: EVS mit Reveal Modus für Epsio
16.04.2015 – NAB2015: EVS stellt kollaboratives Editing mit Adobe Anywhere vor

Autor: red

2026_10_Aja_Leader

Anzeige

2026_10-Canon_rec

Anzeige

Most Popular

2026_10_Aja_rec

Anzeige

Newsletter

Keine Story mehr verpassen und
einfach den Newsletter abonnieren!

2026_10_Lawo_rec

Anzeige

PLATIN

NEP Germany
BFE
Sony Professional Europe
Clear-Com
AJA Video Systems
Adobe
TVN LIVE PRODUCTION
Mediatec
EVS
VIDI
TV SKYLINE
Riedel Communications
Broadcast Solutions GmbH
Panasonic Connect
EIZO
KST Moschkau GmbH
MoovIT GmbH
CGI Deutschland B.V. & Co. KG

Medientage München

Bei den 40. MEDIENTAGEN München vom 21. bis 23. Oktober 2026 stehen mehr als 100 Sessions, Keynotes, exklusive Masterclasses und Meetups auf dem Programm.
München
21.-23. Oktober

Logic Roadtrip

Ein Event rund um softwarebasierte Medienproduktion. Gemeinsam mit sieben Technologiepartnern wird eine durchgängige Referenzarchitektur vorgestellt, Lösungsbeiträge werden eingeordnet und Erfahrungen aus der Praxis geteilt.
Diverse
2.-5. November

FKTG-Fachtagung 2026

FKTG-Fachtagung 2026.
Wuppertal
10. bis 12. November

Hamburg Open

Hamburg Open gibt KI eine eigene Zone, widmet Kamera- und Lichttechnik die Cine & Camera Area und baut mit dem Corporate Video Village den Bereich Unternehmensvideo aus.
Hamburg
20.-21. Januar 2027

ISE 2027

Die ISE 2027 wächst über Barcelonas Gran Via hinaus, geht stärker in Richtung Content, Kreativtechnik und Bildung – und holt mit einem eigenen Studio die Broadcast-Produktion in die Unternehmenswelt. Unter
Barcelona
2.-5. Februar 2027